Writer's Precious Time

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 First Draft Secrets: Five Simple Steps


A guest post by Marla Beck

If you’re anything like me, sometimes writing a first draft can be a huge struggle. On some level we may be busy “just writing,” but on another level, we’re often working hard to ignore, silence or simply drown out our mind’s chatter.

No wonder we sometimes resist writing and finishing our first drafts!   It’s not always easy to split our attention between writing and “mind-management.” To write a useful, “flavorful” first draft, it helps to have a helpful mindset and a few tools to help us focus.

Mind Management 101:  Accept the Chatter

Although the flow state feels amazing when it happens, it’s a state that blesses us mostly when we’re not explicitly trying.  “Flow” won’t happen every time we write.

To write a flavorful first draft, it’s important that we understand and accept a simple fact:  we’re human, and sometimes we’re going to bring an unruly or uncooperative mind to the table when we write.
Writers I coach sometimes worry they may be “forever blocked” when they’ve had a difficult writing session.  They may feel that until they learn to manage or “completely overcome” their negative mental chatter, they’re not writing well. Please avoid making these common mistakes.

Remember that every writer experiences blocks.
Remember that the quality of one writing session doesn’t define a life’s work of writing.

We diffuse our focus and use up valuable writing energy when we try to “reason with” or overcome  distracting thoughts. The solution to creating fantastic first drafts is much simpler.  First, accept that “mental chatter happens.” Then, redirect your mental chatter as you write.

Mind Management 102:  Redirect

Ever notice that when you’re just about to get a shot, the nurse suddenly asks about your job, your family or your summer plans?  When we’re faced with a task we resist (getting a shot, writing a first draft), it’s much easier to relax when we’re focused on something else.

Literary forms and writing exercises jump-start our writing because they provide us with helpful limits. (“Have I made the links explicit between ’cause’ and ‘effect?’” “Hmmm. Have I described seven different colors without naming them?”)  Restrictions and guidelines occupy our minds so we can focus more freely on writing.

Introducing the “Swiss Cheese Draft”

I confess:  Swiss cheese intrigues me.  It’s substantive, it’s flavorful and it’s got some degree of structural integrity.   Swiss cheese doesn’t fall apart, despite its many holes!

Try the following exercise with a sense of openness and adventure.  We’re going to build your “Swiss cheese draft” by shifting your focus from creating a “solid” first effort to creating a “flavorful” slice of writing, one that holds together, despite its many gaps.

Here’s how:

Step #1 - Limit Your Focus
Decide What the “Cheese” Is.  
Before you begin to write, choose one element (“content” or “form”) to define your Swiss cheese draft’s structure.  In other words, answer the question, “what’s the ‘cheese?’”

  • For example, if you need to loosen up and have fun, you might take risks by challenging yourself to see how badly (very badly) you can write.  This is an example of a focus on content.
  • You might want to explore a new character’s motivations or personality in-depth.  If so, you might challenge yourself to situate your character in a specific setting and see how emotionally resonant you can depict the character’s thoughts and actions.  This is another example of a content focus.
  • If you’re drafting a persuasive essay, you may want to sketch out the basic structure of your argument, using placeholders for specific facts, anecdotes or context to support your points.  This emphasis on drafting the piece’s structure is an example of a focus on form.

Once you’re defined your “cheese,” write a one-sentence statement of “what I’m going for in this draft” and put it at the top of your screen or page.  (Tip:  you may choose to emphasize the word “draft” as a reminder.)

Step #2 – Limit Your Time.
Decide to spend a specific and limited amount of time writing your Swiss cheese draft.  For example, “I’ll draft my new article for the next two hours, until 12 noon…no more, no less.”

Your time frame doesn’t have to be limited to one day.  If you’re working on a book chapter or long essay, you may need several work sessions.  Just be sure to decide on a time limit, and when you’re finished write it at the top of your page or screen.

Now you’re ready to write.  To keep you focused, you may want to set a timer as you begin.
(Tip:  To stay focused on your project, send a friend a “bookending” email, Tweet or text message.  Tell them you’re starting your draft, and describe your time limit.  Let them know how long it’ll be before you report back to them with a quick progress report.  Bookending is amazingly effective!)


Step #3 – Mark the Holes as You Go.
You don’t need to have all your ideas developed or research completed to finish a useful first draft.
As you write, use placeholders such as “X”, “[REWORK],” [??]” or  “_________________” to hold space for things to add later.  (You may do this already.)

Using placeholders acknowledges gaps you’ll return to in later revisions, freeing you up to focus on your writing.

Step #4 – Notice and Redirect.
(Keep Making “Cheese”!)
As you’re writing, your mind may still speak up and try to distract you from writing.  If this happens, here’s your chance to greet it wisely.

“Hello, mental chatter…I’ve been expecting you!  Have a seat right over here, and hey – would you watch the clock for me?

“Oh, go check something for me.  Can you remind me, ‘what’s the cheese?’ Oh yeah, that’s right.  Thanks!

“Sit tight, now…I’ll be with you shortly.”

Step # 5 – Cure the Draft Before You Revise
According to this Swiss cheese recipe, a newly formed cheese must cure for four months to a year before it’s ready to be eaten.  Your finished Swiss cheese draft may be cured and ready to revise as early as two days after creation.  It may need longer to settle.  Let your aesthetic palette guide you, and when it’s time to sample your draft, enjoy your flavorful first effort.
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I hope you’ll have fun with these ideas.

The Definitive Guide to Successful Writing

May 28, 2012

http://www.livewritethrive.com/2012/05/21/digital-publishing-requires-change-and-adaptation-bob-mayer/

 man runningToday’s guest post is by best-selling author and indie publisherBob Mayer, who shares cutting-edge news about the digital explosion in publishing at his blog Write it Forward.

When I spoke at writers’ conferences in years past, people would ask me to sum up the publishing industry. I would say: “Slow. Technophobic.”

Today's Solve

http://www.writersrelief.com/blog/2012/05/the-writing-life-guilt/

5 Ways To Send Guilt A Big Fat Rejection Letter

By on May 18, 2012 · 6 Comments ·

Writer Feeling Guilty

You know about writer’s block. But did you know there’s such a thing as writer’s guilt?

The writing life comes with its share of guilt. Guilty feelings can come from needing to block off lots of alone time, from not making a huge income, and from many other sources. But there are healthy, constructive ways to work through the guilty conscience that can come with being a writer.

read more by clicking link.......

Winning News

http://www.huffingtonpost.com/2012/05/18/how-lincoln-used-words-gettysburg_n_1522519.html

How Lincoln Used Words To Get His Way (EXCERPT)

 THE SIXTEENTH PRESIDENT OF the United States of America did not, as you might imagine, speak in a rich chocolaty baritone. He had a high, squeaky voice and a strong Kentucky accent. Nor—coming from a humble background—could he automatically be expected to have a confident grasp of classical rhetoric. That would have mattered.....

 

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Neil Gaiman Gives Graduates 10 Essential Tips for Working in the Arts

Neil Gaiman, considered one of the top ten living post-modern writers, never went to college. He neither started nor finished his advanced studies, but rather put himself into the world and started writing. And write he did. He’s now the New York Times bestselling author of the novelsNeverwhereStardust, and American Gods, among others, and he’s also the winner of the 2009 Newbery Medal and 2010 Carnegie Medal in Literature. (We have gathered free versions of Gaiman’s writing in audio & text here.) This weekend, Gaiman spoke at The University of the Arts in Philadelphia and told the graduating class all the things he wish he knew at their age. The talk runs 19 minutes. The distilled version appears below.

  1. Embrace the fact that you’re young. Accept that you don’t know what you’re doing. And don’t listen to anyone who says there are rules and limits.
  2. If you know your calling, go there. Stay on track. Keep moving towards it, even if the process takes time and requires sacrifice.
  3. Learn to accept failure. Know that things will go wrong. Then, when things go right, you’ll probably feel like a fraud. It’s normal.
  4. Make mistakes, glorious and fantastic ones. It means that you’re out there doing and trying things.
  5. When life gets hard, as it inevitably will, make good art. Just make good art.
  6. Make your own art, meaning the art that reflects your individuality and personal vision.
  7. Now a practical tip. You get freelance work if your work is good, if you’re easy to get along with, and if you’re on deadline. Actually you don’t need all three. Just two.
  8. Enjoy the ride, don’t fret the whole way. Stephen King gave that piece of advice to Neil years ago.
  9. Be wise and accomplish things in your career. If you have problems getting started, pretend you’re someone who is wise, who can get things done. It will help you along.
  10. Leave the world more interesting than it was before.